Howard Silverman
  • HOME
  • RECENT (2015 - 2017)
  • OVERVIEW
  • SCULPTURE & INSTALLATIONS
    • PAPER - CORRUGATED AND OTHER >
      • COMPREHENSIVE SURVEY OF IMAGES
      • THEMES - IMAGES AND TEXT >
        • EARLY WORK >
          • TEXT
        • FLOOD >
          • TEXT
        • TREE - 2011 >
          • TEXT
        • JUGGERNAUT OS 2015
    • METAL - ALUMINIUM, WIRE WOOL, STEEL MESH ETC. >
      • COMPREHENSIVE SURVEY OF IMAGES
      • THEMES - IMAGES AND TEXT >
        • PLUMB LINE >
          • TEXT
        • RETURNING TO THE QUESTION >
          • TEXT
        • RETURNING TO THE QUESTION ONE LAST TIME >
          • TEXT
        • FAN DANCE - 2010 >
          • TEXT
        • FOIL OVAL 2014 - 2016
    • ILLUMINATED
    • PAINTED SCULPTURE >
      • PAINTED POLYTHENE 2016
      • BLUE TOWER 2016
      • GREY TOWER 2016
      • EVOLVING PIECE 2016
      • MIRROR-SHARD PAINTINGS 2016
    • JUGGERNAUT SERIES >
      • PROMETHEUS - 2009 >
        • TEXT
      • JUGGERNAUT - 2010 >
        • TEXT
      • GROW BAGS - 2010
      • INCUBATOR - 2010
      • OFFERING -2013 >
        • TEXT
      • JUGGERNAUT F & CT 2014
      • JUGGERNAUT WRU 2015
      • JUGGERNAUT BRU 2015
      • JUGGERNAUT OS 2015
      • JUGGERNAUT OS 2016
      • AFTER THE BALL - JUGGERNAUT 2016
    • RESERVOIR >
      • RESERVOIR - SPIKE ISLAND TEST SPACE 2015 >
        • TEXT
      • RESERVOIR - SERIES 1
    • POLYTHENE TOWERS 2016 >
      • BLUE TOWER 2016
      • GREY TOWER 2016
    • ARMOURED PINATA >
      • TEXT
    • MISCELLANEOUS
  • PAINTINGS
    • COMPREHENSIVE SURVEY OF IMAGES
    • MIRROR-SHARD PAINTINGS 2016
    • THREE DIMENSIONAL PAINTINGS
    • PAINTINGS ON PAPER
  • DRAWINGS
    • BRIEF SURVEY OF DRAWINGS
    • PROMETHEUS
    • DRAWINGS FOR PROPOSED INSTALLATION - THE EXCHANGE GALLERY - PENZANCE
    • ARMOURED PINATA
    • HOLLAND PAPER BIENNIAL
    • PLUMB BOB
    • MISCELLANEOUS SCULPTURE RELATED DRAWINGS 1995 - 99
    • SCULPTURE RELATED DRAWINGS 1996
    • SPHYNX
    • LIFE, PORTRAIT AND FIGURATIVE DRAWING
    • LANDSCAPES
    • ANIMAL DRAWINGS >
      • CATS >
        • CATS No. 1
        • CATS No. 2
        • CATS No. 3
        • CATS No. 4
      • BIRDS
      • MISCELLANEOUS DRAWINGS
  • PRINTS
    • ETCHINGS 1969 - 1982
    • THE DEVIL YOU KNOW - SERIES 1 - 2009 >
      • TEXT
    • THE DEVIL YOU KNOW - SERIES 2 -2011 >
      • TEXT
    • THE DEVIL YOU KNOW - SERIES 3 - 2014 >
      • TEXT
  • PHOTOGRAPHY - DIGITAL - MOVING IMAGE
    • BRIEF SURVEY
    • THE DEVIL YOU KNOW - SERIES 1 - 2009 >
      • TEXT
    • THE DEVIL YOU KNOW - SERIES 2 - 2011 >
      • TEXT
    • THE DEVIL YOU KNOW - SERIES 3 - 2014 >
      • TEXT
    • DRIVE IN MOVIE - 20005 >
      • TEXT
  • COLLAGES, ASSEMBLAGES, FOUND AND ADAPTED OBJECTS
    • THE DEVIL YOU KNOW - SERIES 1 - 2009 >
      • TEXT
    • THE DEVIL YOU KNOW - SERIES 2 - 2011 >
      • TEXT
    • THE DEVIL YOU KNOW - SERIES 3 - 2014 >
      • TEXT
    • ADELE, HAVE YOU GOT THE KEY FOR THIS?
    • WHAT'S EATING YOU? >
      • TEXT
    • BASKET CHAIR - 2010
    • ANGEL
  • WORKSHOPS AND TEACHING
    • SURVEY >
      • TEXT
    • OUR FLOOD >
      • INTRODUCTION TO THE WORKSHOP
  • ABOUT
  • CV (RESUME)
  • NEWS
  • BUYING WORK
  • CONTACT
Taken from a statement for Spike Island Open Studios 2011


The series of black framed collages are also a return to theme. Of the 21 pieces 17 were made mostly this March and early April. They are called ‘The Devil You Know’. Three years ago I was given a piece of map, a coastal section of Tasmania (Australia) and asked to respond, bringing some references to whatever I knew or could glean about the culture and ‘living on an island’. As I work on an island within an island, I sourced and Photoshopped a proportional reference to this area of Bristol and mirrored it with the section of map I was given - plus views of the same from a satellite: in some of the pieces inverting the Euro centric perspective of ‘down under’ by placing Tasmania on top. Regarding my limited cultural knowledge, prominent was a noisy dog-like marsupial called the Tasmanian Devil. Starting with that as my point of departure, I gathered other symbols of ‘devilishness’, both personal and universally Western - focusing on the idea of creativity ‘stirring things up’. There is myself, as jester in cap and bells, sometimes riding the clouds as in a Renaissance painting – the ‘creator’ offering up benediction: or possibly just waving and/or drowning. A range of other players includes, the ‘arch stirrer’, Duchamp, represented by his ‘urinal’ and Gene Simmons in demonic persona. Arial views accrued references to flight and travel – other associations just followed their noses. My original contribution is still touring Australia.

All images are 29 x 29 cm.



Howard Silverman June 2011


Proudly powered by Weebly